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THE UNCERTAIN SCENE

reformatting the performative event



concept and direction:
Francesca Pennini

scientific referent:
Angelo Pedroni

action and creation:
Andrea Amaducci
Nicola Galli
Angelo Pedroni
Francesca Pennini

winner of “Focus on Art and Science in the Performing Arts”

format of performance modification
year
2010

This project is financed and sustained by "Focus on Art and Science in the Performing Arts": European contemporary production July 2009 - June 2011 Co-organisers Fondazione Pontedera Teatro, Pontedera / Fabbrica Europa Rencontres Chorégraphiques Internationales de Seine-Saint-Denis IFCC, Istituto para el Fomento de Contenidos de Creación, Barcelona Muzeum, Institute for Art Production, Mediation and Publishing, Ljubljana Eurokaz, Zagreb,Associazione Culturale L'Arboreto, Mondaino Comune di Prato, Assessorato alla Cultura e Politiche giovanili / Cantieri Culturali, Prato Fondazione Teatro Vittorio Emanuele, Noto European contemporary production July 2009 - June 2011 Co-organisers Fondazione Pontedera Teatro, Pontedera / Fabbrica Europa Rencontres Chorégraphiques Internationales de Seine-Saint-Denis IFCC, Istituto para el Fomento de Contenidos de Creación, Barcelona Muzeum, Institute for Art Production, Mediation and Publishing, Ljubljana Eurokaz, Zagreb Associazione Culturale L'Arboreto, Mondaino Comune di Prato, Assessorato alla Cultura e Politiche giovanili / Cantieri Culturali, Prato Fondazione Teatro Vittorio Emanuele, Noto Associated partners Associazione Teatro di Roma Ass. Santarcangelo dei Teatri, Santarcangelo Movi|mentale - Interno 5 - CDTM circuito campano della danza, Museo MADRE, Progetto Punta Corsara Fondazione Campania dei Festival, Naples Contemporanea Festival-Teatro Metastasio, Prato Old Power Station, Ljubljana Fondazione Fabbrica Europa per le Arti Contemporanee, Florence With the support of the Culture Programme of the European Union.


“The Uncertain Scene” is based on the Heisenberg uncertainty principle and addressed to the structure of the performative event approaching it through the scientific experimental method. The Time of the action will be determined live shapeing the actual developement of the piece in relation to contingent events, including the spectators gaze, instead of a preventive coercive decision of the author. The visual modality of the audience is analyzed through a series of points of view and different aspects to be able to scan how the fruition is developing.
The performative event is reformatted as a permeable structure with a consequent discussion of the role of the author, of the relational and political system “audience-creation”and the ontological identity of a determined/indetermined piece unable – even more than usual – to refer to an original and fixed shape.


Took part to the process of creation and to exceptional performative events:
Jacopo Jenna